ResourcesContinuing Education

Fiber Optics Revolutionizes
Lighting Design

Applying Cutting Edge Technology
to Architectural Applications

Advertising Supplement Provided
by Unison Fiber Optic Lighting Systems

Continuing
Education

Use the following learning objectives to focus your study while reading this month’s ARCHITECTURAL RECORD / AIA Continuing Education article.

Learning Objective:
After reading this article, you should be able to:

1. Describe the advantages of using fiber optic lighting systems, compared to other lighting types.

2. Identify the architectural applications of fiber optic lighting systems.

3. Describe the three principle components of fiber optic lighting systems.

4. Explain in simple terms how a fiber optics lighting system works.

5. Discuss the importance of efficiencies and luminance.

Fiber optic lighting systems are extremely versatile, and theoretically can be used in place of any traditional lighting system. However, the industry is still in its infancy. Given today’s level of technology, it makes sense to use fiber optic lighting systems only in certain applications. But don’t blink for too long, because the technology is advancing rapidly and in a couple of years it will make sense to use fiber optics even for general lighting.

Fiber optic systems make sense today for application where you must remove heat or UV from the systems (such as in retail displays and in museums). Fiber optics make sense when the electricity in the system should be remote from the light (pools and spas, e.g.). Or when it makes sense to reduce maintenance costs of lighting systems when lamp replacement is a major hassle (some chandeliers). And fiber optic lighting systems make sense when you’re trying to achieve special lighting effects based on a number of small points of light, rather than a single large source (signs, accent lighting, etc.).

Fiber optic lighting systems are simply still too inefficient for general lighting to reach uniformly high ambient levels (say, 50 footcandles). And since it’s not currently possible to put enough lumens into an individual fiber to carry over long throw distances, fiber optic lighting systems don’t make sense when the throw distance (from the output fixture to the object being illuminated) is greater than four or five feet. So, much general room lighting is a poor choice for fiber optic lighting—for now.

What are the basic tenets of fiber optic lighting? How does the technology work? What advantages can architects gain through using these systems?

The following, brought to you by Unison Fiber Optic Lighting Systems, will answer those questions and much more. And by studying the learning objectives, reading the article and answering the questions you can participate in an AIA/ARCHITECTURAL RECORD Continu-ing Education opportunity.

Unison™ is a joint venture of Advanced Lighting Technologies, makers of Venture Lighting metal halide lamps, and Rohm and Haas, makers of OptiFlex™ flexible light pipe. By combining these technologies, Unison offers a total solution for fiber optic lighting needs, including side and end light fiber, illuminators and fixtures, couplers, and even specially designed cutting and stripping tools.

Unison custom designs and manufactures complete fiber optic lighting systems. Unison’s CableLite™ and FiberImages™ Divisions offer product design and application expertise for signs, panels, logos, curtains, and other products that require fiber optic systems.

FIBER OPTIC LIGHTING
In fiber optic lighting systems, a lamp transfers its light through to the end of the fiber or linearly through the fiber’s transparent sheathing.

The most noteworthy advantage of using fiber optic lighting systems is that the light is separated from the electricity that generates light. And, too, one source can drive many fibers and produce multiple points or lines of light.

By separating light and electricity, fiber optic lighting can be used to light electrically or chemically hazardous areas, such as pools, spas, fountains, or in environmentally sensitive industrial situations. The reason: the light produces no electrical shocks and will not become a fire hazard. A sidelight fiber can be used in places where the potential of breakage or of contact with a high voltage transformer makes a neon light hazardous.

In addition, nearly all fiber optic lighting systems use both heat (infrared or IR) and ultraviolet (UV) filters at the light source. As a result, the output light contains no UV and no heat. This makes the systems especially desirable for lighting retail displays containing products that are sensitive to heat, as well as museum displays of temperature sensitive artifacts and art. Basically, dyes and oil paints won’t fade, chocolate won’t melt, and fresh flowers won’t wilt.

The use of fiber optic lighting systems (FOLSs) can also lead to improved energy efficiency in some cases, particularly through the use of metal halide (MH) light sources. Because a single lamp can illuminate many fibers, maintenance costs can be reduced and maintenance tasks simplified, particularly for the hard-to-reach bulb. In addition there is economy of scale, as one bulb can light an entire chandelier or a ceiling or wall of sprinkle lights.

Overall, fiber optic lighting systems can be used in almost any lighting situation. The Lighting Research Center at Rensselaer Polytechnic Institute and others have tracked the following applications of fiber optic lighting:

  • Displays and exhibits—fiber optics replace the traditional linear fluorescent and MR16 lighting in museum and retail displays.
  • Water—fiber optics is used in at least 10 percent of the water lighting market and that market is growing.
  • Architectural highlights—spots of light from end-emitting fibers can dramatically highlight the architectural features of a room or building. Side-emitting plastic fiber and prism light guides can outline the exterior contours of buildings.
  • Signage and visual guidance—fiber optics systems are used to light a variety of signs and are also used in edge-lit exit signs, billboards, and traffic signals. Fiber optics light steps and aisles in theaters and, in turn provide a safer, more accessible environment. Signage projects are perhaps the most dramatic application, in that PMMA fibers can be assembled to create unique and vibrant images ranging from random patterns to intricate designs including logs and animated figures. White light or a variety of colors can be used to achieve versatile and exciting design. Fiber optic cables with larger diameters produce channel lettering, and perimeter, backlight and outline illumination.
  • Decorative—chosen for special effects such as color changes and strobing, FOLS can produce a starlight effect for ceilings and can mimic flickering candlelight for historic ambiance.
  • Downlight and ambient—although the Rensselaer Lighting Research Center found that fiber optic lighting systems are not widely used for downlighting and ambient light in the United States, in Europe such systems are popular for offices and restaurants.

ANATOMY OF AN FOLS
A fiber optic lighting system (FOLS) consists of three principle components—the illuminator, the fibers, and the output fixture. Note that for sidelight applications, the fiber doubles as the output fixture. The color of the emitted light can easily be changed through the use of a color wheel and the intensity lessened with a mechanical dimmer.

Illuminator. The illuminator consists of a lamp, ballast or transformer, and collection optics to channel the light into the fiber.

The lamp is most often either halogen or metal halide (MH). The most commonly used is a 150 W MH, although a variety of outputs are available.

The ballast or the transformer convert the input electricity to the current and voltage required to start and operate the lamp.

The collection optics channel the light into the fiber and are usually based on a glass or metal reflector, an UV filter, and if desired, color filters. The reflector captures the light emitted by the lamp and directs it into the fibers. Most illuminators employ a fan to dissipate the heat generated by the lamp, although Unison has recently introduced a fanless model.

Fibers. Optical fibers for illumination are either glass or plastic and at least two layers—an inner core surrounded by a thin cladding. There may be an additional third layer or sheathing for protection of the inner fiber. Bundling individual fibers together is a common practice, with this assembly referred to as bundled fiber. Nonbundled fibers are commonly called solid core fibers, or large diameter fibers.

The core and cladding must be of different materials for the system to function properly. Nearly all cladding layers are made of some kind of fluoroplymer (an example being Teflon FEP™). The core is either glass or plastic, with the plastic being either an acrylic or methacrylic copoloymer. The most common plastic core for bundled fiber is PMMA (poly methyl methacrylate), known by the trade name Plexiglas™. If present, the sheathing is PVC (vinyl) or polyethylene.

Glass fibers. Made thin enough to bend (.05 mm or .002 inch.), glass fibers are inherently brittle. And, because the glass fibers are so delicate, they are always bundled and always completely assembled at the factory. Generally, several glass bundles are gathered together into a “common end,” which is attached to the illuminator (the complete assembly is called a harness). When you order a glass fiber harness, you must specify the number of tails, the length of each tail, and the diameters of the common end and of the tails.

Glass fibers are not damaged by heat or UV light like plastic fibers can be—an advantage for using glass. However, as mentioned above, unlike plastic, exact lengths must be specified and factory prefabricated rather than cut at site.

Bundled Plastic Fibers. Made of extruded PMMA, individual plastic fibers are commonly .030 inches to .060 inches, or about 20 times the size of glass fibers. The diameter of the individual fiber is determined by brittleness of the PMMA; if the fiber is larger than 1 mm, the fibers may not be bent to a reasonable radius without breaking. PMMA fibers are separated and used individually for such applications as signs, star ceilings, and fiber optic curtains.

PMMA fibers are considered very durable compared to other plastic fibers. The main disadvantage of PMMA fibers is packing fraction loss, in which light from the illuminator inevitably filters into the gap between the fibers, thus decreasing efficiency.

For endlights, the individual fibers are bundled very loosely in an opaque sheathing. For sidelight, the individual fibers are tightly bundled and twisted around each other and then covered with a tightfitting clear sheathing. The tighter the twist, the more light escapes.

Solid Core Plastic Fibers. Typically ranging in diameter from 3mm (1/8 inch) to 12 mm (1/2 inch), most solid core plastic fibers are cast of copolymers of MMA (methyl methacrylate) and a cross-link/plasticizer to add strength and flexibility. Unison’s OptiFlex is constructed of a different, inherently flexible acrylate and a cross-linker to provide more flexibility at room temperature. With either process, the cladding acts to contain the core until the core “cures.” Therefore, for solid core fibers, the cladding layer is much thicker than the sprayed or dipped cladding layers on small diameter acrylic fibers.

Output fixtures. The first fixtures used for fiber optic lighting systems were simply standard lighting fixtures with the electrical guts ripped out. The industry has progressed and now offers fixtures designed specifically for fiber optics; yet, most output fixtures are still based on standard electrical lighting fixture designs.

Coupler. A coupler allows several large core fibers to be attached to a single illuminator. One coupling method is to split the light at the illuminator’s main port into several small ports using segmented lenses. Each fiber is then inserted into one of the small ports. Another method is to gather the fibers together in a bundle over the last several inches of their length, which is actually a labor-intensive operation. A third alternative utilizes a short glass fiber harness as a coupler, with the common end joined to the illuminator and each tail joined to a separate fiber.

The coupler is commonly used to randomize both the color and intensity across the faces of the various light pipes attached to it. Intensity variations occur because of the projection of the MH arc—the source of the light—onto a circular port. The color variations result from the chemistry inside the lamps. Basically, different colors are emitted at different angles, especially as you move away from the center of the arc.

Randomization is easy to accomplish with a glass fiber harness—just mix up the individual strands of glass so that the strands that are going to any given tail go to several different areas of the common end. Another method is to use a glass mixing rod that averages out the angular effects.

HOW IT ALL WORKS
All optical fibers work on the principal of total internal reflection, or TIR. Whenever light traveling in one material approaches another material (such as the movement from the core to the cladding), the light is bent somewhat as it enters the second material. If the light approaches the second material at a shallow enough angle (known as the critical angle), then it is bent so much that it never enters the second material at all. It is totally reflected back into the first material—an amazingly efficient process.

For instance, a typical glass mirror may reflect only about 90 percent of the light that hits it. However, total internal reflection reflects essentially all of the light. This allows the light to travel far distances, undergoing many hundreds of bounces along the light pipe without being absorbed.

How shallow the light rays must be in order to be totally reflected is determined by how different the core and cladding are. This is measured by the refractive index, which is essentially a measure of the speed of light in the material. The greater the difference between the indices of refraction, the more light (over steeper and steeper angles) will undergo TIR.

All optical fibers are characterized by an acceptance angle—the maximum angle (away from “straight on”) at which light can enter the fiber and be totally internally reflected down its length. The acceptance angle is determined only by what the core and cladding are made of. For plastic optical fibers, the acceptance angle is usually about 35º to 40º. This means that all lighting hitting the face of the fiber in a cone of 70º to 80º (from +35º or +40º to -35º to -40º) will be internally reflected. The rest of the light is reflected back out the face or absorbed by the core, cladding, or sheathing.

Another measure of the ability of a fiber to gather light is the numerical aperture (NA). This is defined as the square root of the difference between the squares of the refractive indices: NA=Square roof of (n²core – n²clad) where n is the index of refraction. The acceptance angle is simply the arcsine of the NA. The bigger the acceptance angle (or NA) the better, because the fiber collects more light.

Also note that if the fiber is bent, the angle at which light approaches the cladding from the core changes. For this reason, bending an optical fiber results in some light loss. Tests to measure loss under various bending conditions are not well-defined. In general, though, the more sweeping the bend, the less light is lost. The tighter the bend, the more light is lost.

OPERATING PROPERTIES
When specifying fiber optic lighting systems, the efficiencies, luminance, and color properties should be considered. Unfortunately, only a small amount of comparative data exists, although there is an effort among manufacturers to increase their analyses. In addition, output from any system depends on a number of factors not controlled by the manufacturer, such as the number and tightness of bends the fiber takes in the installation as well as the quality of the fiber end cuts. The quality of installation also affects the system’s operation.

To aid in comparison and specification, the fiber optic industry is developing testing standards under the auspices of the National Electrical Manufacturers Association. Meanwhile, check with manufacturers for existing quantitative analyses. As with most lighting applications, a prototype or mock- up to determine system performance is suggested.

Efficiency. A typical fiber optic lighting system is about 15 percent efficient overall. In other words, of all the light generated by the lamp, only about 10 percent to 15 percent is emitted at the end source. Nearly all of the loss happens before the light is directed into the fiber. Fortunately, most FOLS use metal halide lamps, which are highly efficient, so overall efficiency can be higher than with incandescent lighting sources.

The most efficient system in the market is manufactured by Unison. The illuminator is based on a 68 W metal halide lamp that uses no fan. By getting rid of the fan and making the collection optics more efficient, the total system lumens of light per watt (lpw) of electricity used increases considerably and is similar to the efficiency of incandescent systems.

Within a year, Unison expects to introduce a system that will nearly double that efficiency—the system will be in the 25 to 30 lpw range—through a better coupling of the lamps’ arc gap to the reflector (more efficient lamp-reflector combinations) and of the port to the fiber (a more efficient coupling mechanism).

Illuminance. To supply a particular quantity of light for a task, one measures illuminance. Illuminance is defined as flux density on a surface, expressed as lumens per square foot, or more typically known as a foot-candle.

Unless the system manufacturer specifies the total lumens emitted from the various output fixtures, the design should assume a MH lamp will produce 80 lpw. Thus, for a 250 W MH system, the designer should have no more than 15 percent of (80x250) or 3,000 total lumens at the fiber ends. (Remember, that’s 3,000 total divided by the number of fibers, not just 3,000 for each fiber.) This also assumes a 10-foot-fiber runs with gentle bends only, excellent quality cuts, good connections, clean optics, fresh lamp, etc. Some manufacturers specify lumens available at the port. In that case, the designer should assume about 60 percent of those lumens can be delivered through 10 feet of fiber and the output fixture into the area to be lit.

It’s important to note that output characteristics of the system change depending on the installation details—fiber length, number of bends, and the length of the run relative to the number and radius of the bends.

Color. All optical fibers change the color a bit as the light travels through them. Look at the color of light transmitted through 40 feet or more of fiber. Assuming that you start with white light, absorbing red will make the light appear greenish. Absorbing blue will make the light appear yellowish.

All types of plastic optical fibers absorb some red light. The absorption of blue differs, however, and is not fundamental to plastic fibers. This results from broad absorption bands in the UV that “tail” into the visible region. These UV absorptions are generally caused by “stuff” in the fiber left over from the polymerization. So, the cleaner the manufacturing process, the less blue is absorbed. Therefore, a greenish cast to the transmitted light implies a cleaner fiber and lower overall attenuation.

THE FUTURE OF FOLS
By all accounts the future for fiber optics lighting seems bright. Look for:

  • Higher efficiency.
  • Move toward fiber optics for more general room lighting, as seen in Europe.
  • Systems cost decrease.
  • Greater illuminance.

It’s also important to note that manufacturers of fiber optic lighting systems are working to bring a standardization to the industry, which translates into more consumer confidence in a product and more information available to the consumer.

Questions:

  1. When it is advantageous to use fiber optic lighting systems?
  2. When it is not yet advantageous to use fiber optic lighting systems?
  3. What are some specific architectural applications of fiber optic lighting systems?
  4. Describe the three principle components of fiber optic lighting systems—and how they work.
  5. In simple terms, how does a fiber optics lighting system work?
  6. When specifying a fiber optic lighting system what is the significant of efficiencies and luminance?