|
Advertising supplement provided by
Marvin Windows and Doors
Designing Acoustic Controls
The design phase is the best spot to
address acoustic issues. If steps are not taken at this point
to identify potential acoustic problems, they will surface
after the building is occupied with the possibility of making
it unusable without a major retrofit.
The first issue is to understand that
sound control can be addressed in three areas: the source,
the path, and the receiver. Controlling noise at the source
is the optimum solution, but in designing a building, architects
can typically control only acoustic conditions through the
receiver and the path.
Excessive traffic noise is the greatest
irritant for most Americans and the one that affects more
people than any other environmental noise source. It can affect
the ability to work, learn, relax, etc. And if the noise continues
to be an irritant it can lead to health problems such as nerve
damage to the ear or issues related to high stress. For buildings
located near high traffic areas, some measures may control
exterior sounds, including: adding a barrier wall, increasing
isolation quality of the structure, masking the noise, or
controlling the source.
|
|
| Creating
air space between glass panes can improve
the STC. |
|
|
But these may not be feasible, or may
only solve part of the problem. Noise from the outside may
still reach a building. When it infiltrates it and becomes
a distraction, the windows or doors are often blamed because
they have many more components and operational elements than
other parts of the structure through which sound may pass.
For example, exterior walls typically block between 45 to
50 decibels (dB) of sound and a superior quality window may
block under 40 dB. But if a door or window is not sealed properly,
airand soundcan get around or through the seal.
Successful design of non-residential
buildings depends on recognizing situations that may increase
noise levels, and choosing windows and doors that help reduce
sound transmission.
Understanding and Measuring Sound
To help in understanding how to control
unwanted noise, lets first define what we are considering.
Sound energy is a wave form that travels through matter. It
begins when a sound source vibrates or otherwise disturbs
the air immediately surrounding the source. Because sound
is a wave form, it can travel through air and building materials.
Sound intensity is measured by observing
sound energy passing through an area per unit of time. The
frequency of sound, or its pitch, is measured in cycles per
second, or hertz (Hz). One Hz equals the cycles per second
(cps) of air pressure. Frequency is the measure of tonal or
pitch quality of sound; a higher frequency indicates a higher
pitch. The human ear can hear between 20 Hz and 20,000 Hz.
The intensity of sound is measured in
decibels (dB), but a decibel does not quantify other sound
characteristics. A higher dB signifies louder sound. The faintest
sound detectable by the human ear is 0 dB; the loudest is
more than 180 dB, which is the noise level at a rocket pad
during launch. The loudest intensity the human ear can tolerate
without pain is about 120 dBs.
|