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Advertising Supplement Provided
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Continuing
Education
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Use the following
learning objectives to focus your study while reading
this months ARCHITECTURAL RECORD / AIA Continuing
Education article.
Learning Objective:
After reading this article, you will be able to:
1. Describe innovations in glass doors.
2. Discuss style trends in entry doors.
3. Compare materials available for
entry doors.
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Rich antique glass. Bright, glittering facets. Soft, glowing
lenses. Imagine a larger-than-life looking glass of transparent,
translucent and iridescent textures that change the light around
them in a thousand different ways. This is the art of architectural
glass.
Combine art-like glass with a variety of wood species not
traditionally found among door manufacturers catalogues
(not long ago everything was oak), and doors become an art
form part design, part sculpture and totally original.
Fine art you can touch every day, say door manufacturers.
Every time you come home.

Contemporary IWP® door with art glass crafted by glass
designer Shelly Jurs (style #262) |
Collaboration between high-design door manufacturers and
glass pioneers like Shelley Jurs has resulted in an explosion
of new styles and combinations that permit the designer, for
the first time, to make a wide range of architectural statements.
Furthermore, style has been enhanced by functionality. Todays
doors are generally stronger, more energy efficient and more
resistant to weather than in years past.
Manufacturers say new door lines combine age-old architectural
details with modern-day lifestyle conveniences. There
is a growing reliance upon new materials in the new door lines,
and even traditional solid hardwood doors have new faces.
As a result, architects have many more choices today than
they did just a few years ago. Oak once dominated the hardwood
door market. Todays doors, increasingly, are made from
a broad range of wood species: vertical grain Douglas fir,
Western hemlock, mahogany, cherry or maple, to name a few.

IWP® Estate™ door (style 1321) with iron-accented sidelights
(style #1101) |
Mission architecture, or Shaker architecture, Frank
Lloyd Wright or Craftsman style construction, whatever you
want to call it, is very popular now, says the spokesman
for a West Coast manufacturer. As a result, there is
a considerable outpouring by door manufacturers to keep pace
with that new trend.
Todays Doors Are Cleaner, Larger
The new doors are characterized by cleaner lines
and squared sticking, in many cases, flat, rather than raised
panels.
Knotty or distressed doors, both for interior and exterior
applications, once very limited, are finding their way into
new homes across the country. The stylistic swing has spurred
U.S. door manufacturers to broadly expand product lines, and
to incorporate systems designed for ease of installation.
At the same time, low maintenance is coupled with the energy
efficiency of modern materials.
The new style lines offer the customer a wide variety of
options: door shapes can now be flat on top, Gothic, segmented
or radius-top. They come in more than two dozen stain and
finish color options, with either smooth, heavy-textured wire
brush, hand hewn or distressed finishes. Entryway doors, once
nearly universally sized at 30 by 68,
are larger three-and-a-half feet wide and up to eight
feet in height. The new larger doors were once a custom item,
but are now readily available within the same schedule as
conventional-size doors.
The new pre-hung doors typically are sold with hardware
and other door components doorframe, jamb and moldings
- made from the same wood stock.
One manufacturers new Craftsman-type doors are available
in maple, cherry, oak and alder and come in four designs with
extra-wide six-inch stiles and flat panels held in place with
square molding. The doors can be matched with sidelights and
transoms to create complete entry systems.
Craftsman styling is enjoying a renaissance that is apparent
among door manufacturers. The design origins are in the Arts
and Crafts movement of the late 19th and early 20th centuries
in England and America. The mass production of the industrial
revolution was rejected in favor of art and architecture crafted
by hand of natural materials. The movement reshaped American
architecture and furnishings, and from the late 1800s through
the 1920s, U.S. artisans adapted the distinctive Craftsman
look to small houses and bungalows and to the furnishings
inside. Now those same styles are being replicated.
When determining door designs, it is important to consider
the finish that will be applied. Different stains or varnishes
can draw out highlights and grain patterns unique to each
wood species.
Generally, hardwoods tend to stain more evenly than softer
wood, such as pine or fir, and various species of wood vary
in the grain type (close-grain or course-grain) and in the
grain pattern. Some grain patterns are more distinctive than
others.
Alder, cherry and maple are close-grained (or tight-grained)
species. They look good with a clear varnish or a whitewash
stain.
Cherry, alder and mahogany all stain very evenly. They look
nice dark stains (such as a chappo or merlot.)
Oak has a coarse grain pattern, is distinct when stained
in warmer colors such as chappo or wheat. The distinctiveness
of the grain pattern in oak is emphasized when stained in
darker colors like dark cherry or ebony.
Walnut has a very beautiful grain patternnot as coarse
as oak. Walnut is a dark wood when unfinished, so a clear
varnish or a chappo color work well.

Nord® double-door entry system (style #4681) with coordinating
transom (style #7681) |
Ordering the door prefinished from the manufacturer often
yields a more professional, longer-lasting finish, according
to one manufacturer.
Manufacturers have recently begun to offer a new line of
Western hemlock doors, available in sizes up to seven feet
in height. Unlike other woods, Western hemlock contains no
pitch or resin, so there is little chance of pitch bleed
which can mar the finished surface of other wood doors. And
Western hemlock grows harder with age, which means that doors
made of it can withstand heavy wear and tear. Western hemlock
has a naturally light color that will not darken with age,
which makes it a good choice for a variety of finishes ranging
from light to dark.
Compression Glazing for Strength,
Ease of Maintenance
New exterior French doors are specially constructed with
low-e thermal pane glass glazed directly into frames, making
them unusually weather-tight and secure. The glass is inserted
directly into the stiles and rails of the door, which are
then assembled like a puzzle. Glass inserts have traditionally
been installed only after the wood portions of the door were
completely assembled; in contemporary compression-glazed
doors, glass is installed and assembled in much the same way
as the doors wood panels. Compression-glazed glass thus
becomes an integral part of the door.
We can get a better seal around the glass, and we
have greater control over the appearance through mechanical
compression glazing, says a manufacturer. Compound beads
are uniform, miters are much more exact and mechanically glazed
doors perform better in all kinds of weather.
The chance of a seal failure in the new doors has been greatly
reduced over doors with traditional glazing, according to
manufacturers, and compression glazing results in a stronger
door because corner joints fit with a higher degree of exactness.
Up to three-quarters of all doors made today by some manufacturers
are compression glazed. The change is relatively recent. As
little as five years ago, for instance, glass was installed
in 90 percent of all doors only after door assembly was complete.
While true divided lite doors may be beyond the budget and
also diminish energy efficiency, new products simulate the
look and effect of traditional divided lite openings, but
employ modern energy efficient technology and increased weather
resistance. Manufacturers have responded to a new demand for
a traditional look with a number of options. Systems that
employ more substantial mullions and patterns that replicate
true divided lites and which can be accessorized with sidelights
and transoms. There are also fixed units in a variety of shapes
and sizes to help designers achieve the look of historical
accuracy.
Simulated divided lite grilles, applied directly to full-frame,
tempered glass in many of the new lines, also decrease the
chance of seal failure, and because full-frame glass has only
four sealed edges, the modification of traditional divided
lite doors makes for an extremely rigid door structure.
An added side benefit is that single-sheet tempered glass
doors require fewer unsightly, but federally mandated, tempering
bugs, the engraved labels specifying ANSI compliance.
On a 15-lite design, for instance, tempering bugs have been
reduced from 15 to one.
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Super stable MDX thermal panel with beautiful bookmatched
real wood veneer |
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New door lines frequently feature extra-wide stiles that
can accommodate a greater variety of lockset options and provide
decorating flexibility. Typically, stiles are engineered with
finger-jointed cores and selected face veneers to provide
strength and greater overall stability. Moisture and impact
tests confirm it, say manufacturers.
Quality is worth searching out in entry doors; look for
precisely matched miter joints. Designers can choose traditional
edge-glued solid wood panels with precise detail and shadow
lines, or bookmatched veneer on top of exterior-quality, medium-density
fiberboard (MDX) panels for high stability and warp resistance.
In decorative glass, designers can choose from waterglass,
baroque, gray baroque, clear beveled or clear seedy glass,
and expanding new styles means that now, more than ever, you
can match doors to architectural design, whether its Early
American, English Tudor or Contemporary Ranch, Colonial, Craftsman,
Rustic Country or Mission Mediterranean.
High-style door designs may have as many as nine different
decorative glass textures, patterns and colors and be assembled
with either brass or lead caming. Todays exterior-application
glass is typically 5/8 thick and triple-glazed-decorative
glass is encased between two pieces of tempered, clear glass.
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