By Suzanne Stephens

You could almost call it invisible architecture. Annabelle Selldorf's approach to designing spaces for the display of art is so subtle, it reaffirms the essence of architecture found in what Mies van der Rohe called "beinahe nichts"—almost nothing. She is known as an architect who has deftly manipulated proportion, materials, detailing, and lighting to create art galleries and artists' lofts and other residences known for their restraint and clarity. In this recent conversion of a large New York town house into the Neue Galerie, a museum for early-20th-century German and Austrian art, the contents—painting, sculpture, and art objects—stand out dramatically against mute yet luminous environments. Selldorf has also isolated the major architectural features of this palatial landmark, designed in 1914 by Carrère and Hastings, so the spiraling marble and wrought-iron stair, the domed skylight, and the marble and wood wainscoting of the major rooms emerge in full relief. Plus see the people and products behind the making of this project.

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Note: You will need Quicktime to view the walkthrough. Downloaded a free copy here.

All photography for walk-throughs and movie shot by Susannah Shepherd