| January
8, 2003
The architects were thoughtful and
cordial, almost surprisingly so, in the first public discussion
of the latest round of proposals
for the World Trade Center site. Architectural Record, published
by McGraw-Hill Construction, presented the event Tuesday evening
in a packed McGraw-Hill Auditorium in New York. Architects representing
five of the seven teams were present in the front row. The only
absentees were from the European-based teams of Daniel Libeskind
and Norman Foster. (For photos of the event click here.)
Robert Ivy, FAIA, editor in chief of
Architectural Record, moderated the discussion, entitled Waiting
for Ground Zero. Event sponsors were Bentley Systems, Artemide,
and Turner Construction.
Panelists were Paul Goldberger, architecture
critic for The New Yorker; Richard Kahan, the president of
Urban Assembly and Take the Field; Bernard Tschumi, dean of
the Graduate School of Architecture, Planning and Preservation
at Columbia University; and Craig Whitaker, an architect and
planner.
Ivy began by asking the panelists if
they could define the value of the design charette in which
the seven teams produced their schemes for the Port Authority
of New York and New Jersey and the Lower Manhattan Development
Corporation (LMDC) in less than two months and presented them
on December 18.
"Theres no question this has
raised the ante of architectural dialogue in the city,"
Goldberger said. Although, "what continues to trouble
me most is that not all that much has really changed although
much has changed on the surface. Architecture became more
of a real political priority in the last six months. The ground
is shifting in an historic way."
Goldberger, borrowing from James Carvilles
line "Its the economy, stupid" from Bill Clintons
1992 campaign, said, "Its the program, stupid."
He contended that the program for the site as defined by the
Port Authority of New York and New Jersey has changed little
since the initial plans by Beyer Blinder Belle were roundly
criticized in July. "The event at the Javits Center was
a historic turning point in the history of planning,"
he said.
Tschumi lauded the quality of the schemes
completed under difficult circumstances and great pressure.
Some of the "plans had the surgical precision of the
attack itself," he said. "The question is how these
schemes can be converted, transposed, and translated into
precise solutions."
"I think its strange and wonderful
at the same time," Kahan said of the process thus far
and the latest round of proposals. "I reject the idea
that any of this is infeasible. Its absolutely doable."
Then, with tongue firmly in cheek, Kahan
dryly said, "Theres two minor impediments. Theres
no program and no client." Kahan agreed with Goldberger
that a clear program should be defined, and that the program
should include a wider range of uses than what the Port Authority
currently proposes.
Kahan contended that the two entities
leading the charge to rebuild, the Port Authority and developer
Larry Silverstein, "have no right to do this (development)
for the New York public." He said the situation is "correctable"
and he conceived a scenario where Silverstein profits but
ultimately does not develop the site, and the city could take
on a larger role. To build under a cohesive vision, he said
the site would need a patron but "Im not sure that
entity exists today," he said.
Whitaker said he was wary of the "orgy
of public participation. I think the public is going to be
exhausted, perhaps." He warned that the public might
grow tired of the process if it is drawn out too long. He
was also concerned that the level of public debate is fixated
on the need to balance remembrance with commercialism.
Ivy asked Goldberger if he wanted to
name any favorites among the schemes. Goldberger declined
to name one favorite, but he said he was taken with the World
Cultural Center scheme by the Think team that proposes two
lattice towers. "Im very moved and excited by that
scheme," Goldberger said.
Tschumi said the design by United Architects
shows the possibilities for "the city of tomorrow to
some degree." The design by Richard Meiers team
is "rigorous, iconic, and monumental. The play of solids
and voids may be a way to look at the three-dimensional city
of tomorrow." The design by Skidmore, Owings & Merrill
(SOM) doesnt push the boundaries far enough for Tschumi,
and he said it gets "zero for effort."
The architects were allowed to speak
in the final segment of the program, and they did not enter
into a contentious debate, as some had expected that they
would. Instead they spoke about the designs in general terms,
often not referring to their own schemes at all.
Peter Eisenman, who worked with Meier
on a scheme, made some specific points: calling on the press
to show plans rather than simply the photomontage images or
models, New York is a force and this discussion of architecture
is great for the city, and "its a site for architects.
Architects are poets for the city. We give the city something
that people feel," he said.
Barbara Littenberg of Peterson/Littenberg
Architecture and Urban Design, said she was concerned that
the evenings comments, especially those from other architects,
were almost too "warm and fuzzy." She warned that
the architects should not make mistakes of the past in terms
of scale and monumentality, and hoped that whatever is built
does not inappropriately "exhibit money, arrogance or
inappropriateness."
Jesse Reiser of the United Architects
team said the United design, and whatever will be built on
the site, "must look at new models of urbanity and must
look at technologies that are possible and what they mean
for building into the future."
Chicago artist Inigo Manglano-Ovalle,
who was a part of the team led by SOM, agreed with Kahan that
the control of the property must change for innovative development
to occur. "The land must be released from the kings and
given back to the people," he said.
Robert Yaro, executive director of the
Regional Plan Association, called on the LMDC and Port Authority
to again hold a Listening to the City event similar to the
one that more than 4,000 people attended on July 20 that Goldberger
believes was instrumental in changing the course of the process.
Yaro also agreed with Goldberger that, "the program needs
to be redefined. The program has been ignored. There may be
a need to change the client to change the program."
John
E. Czarnecki, Assoc. AIA
|