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By Nancy B. Solomon, AIA
Austin Resource Center for the Homeless
Completed in April 2004, the 26,800-square-foot
Austin Resource Center for the Homeless provides both temporary
shelter and long-term support programs for the indigent on
the site of a former gas station in the heart of Austin, Texas.
The city-run facility, designed by the local firm LZT Architects,
includes a double-height lobby, health clinic, laundry facilities,
locker room, and computer room on the first floor; kitchen,
dining room, meeting rooms, showers, sick room, and administrative
offices on the second floor; and sleeping quarters, restrooms,
and an outdoor terrace at the top. The buildings exposed
structural system, a series of parallel concrete frames braced
perpendicularly with concrete beams, affords spatial orientation,
multiple visual connections, and abundant daylightqualities
that offer much-needed comfort, security, and hope to an underprivileged
population.
During the predesign phase, Austins
city council approved an ordinance requiring that the design
of any new municipal building follow the guidelines developed
by the U.S. Green Building Council for its LEED rating system.
We were very excited about that, says project
architect Murray Legge, AIA, because it gave the client
a set of helpful parameters. It also gave the design
team an opportunity to engage local environmental building
consultant Gail Vittori of the Center for Maximum Potential
Building Systems.
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A 13,000-gallon
rainwater-collection system helps to minimize
local flooding concerns.
Photography: © Thomas Mcconnell Photography
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The team was particularly resourceful
in their approach to material selection and water management.
The structure, for example, relies on an innovative process
dubbed stack-cast tilt-frame. Traditional cast-in-place
concrete is expensive (because of the extensive amount of
formwork required) and difficult to finish properly, so structural
engineer David Powell of the local firm P.E. Structural Consultants
proposed instead that the 12-inch-thick concrete frames be
cast on the groundone on top of the other like a stack
of pancakeswith reusable forms, and then lifted into
place with a crane. This approach allowed the contractor to
easily and efficiently pour and agitate the concrete mix so
that it would flow into all corners of the mold, resulting
in a clean, attractive finish at a reasonable cost. Because
the surface was of such high quality, the structural elements
could remain exposed on both the exterior and interior, thus
reducing the total amount of finishing materials required
for the building. Overall, Legge was pleased with this construction
technique, but he would prefer a larger area next time: Staging
was difficult because we had a tiny little site in which to
lay the pieces out.
To make the concrete assembly even more
environmentally friendly, the architects requested that fly
asha by-product of coal-fired electrical generationbe
substituted for 45 percent of the portland cement, the production
of which releases significant amounts of carbon dioxide into
the atmosphere each year. Fly ash is stronger and, since free
for the taking, less expensive than portland cement. It also
provides a warm brownish tint. But its tricky
to work with because it takes longer to set up, forcing the
contractor to sit out there and babysit, notes Legge.
It is also poorly suited to cold climates, which are subject
to frequent freeze-thaw cycles.
Austin suffers from serious flooding
problems because it lacks topsoil. To reduce the load on the
citys storm-water-management system, LZT developed a
13,000-gallon rainwater-collection system for landscape irrigation
and for the flushing of toilets and urinals. Seeing both an
architectural and educational opportunity embedded in this
highly functional feature, the designers installed, like a
row of sentries, eight 21-foot-tall, 24-inch-diameter galvanized-steel
tubes within one of the structural frames just east of the
front door. In keeping with resource-efficient practices,
the water cisterns double as solar-shading devices in front
of a south-facing window, creating a diffused, pearly light
within the lobby.
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