Critique | Architectural Record

One good fit and one bad in New York City
Robert Campbell visits the Frank Lloyd Wright exhibition at the Guggenheim and discovers it doesn’t work with the building’s architecture. Read two additional takes on the show in our [Featured Events] column and in this month’s Editorial.

Photo © David Heald/The Solomon R. Guggenheim Foundation

After 50 years, Lincoln Center still offers plenty to criticize
Critic Martin Filler looks back on 50 years of Lincoln Center and finds plenty to complain about in terms of its urban plan and architecture.

Photo © Arnold Newman/Corbis

Temporary openings in the city fabric tempt a critic to imagine
Openings in New York’s urban fabric lead critic Michael Sorkin to imagine a new approach to public space.

Photo © Aleksandr Bierig

Making monuments right before an era comes to a close
Critic Robert Campbell explains some of his laws of architecture and what the Alhambra tells us about our current moment.

Photo © Bettmann/Corbis

How Medellín Got Its Groove Back
A city once known as Murder Capital of the World has been looking to architecture to help it change its reputation and its fate. Jimena Martignoni takes us to Medellín, Colombia.

Photo © Sergio Gomez

Rolling out the unwelcome mat for visitor centers
Critic Martin Filler looks at the current rash of visitor centers and explains why he hates them all.

Photo © Paul Warchol

A Stimulus for Good Design
Special Commentary: North America design director for RMJM, New York, Peter Schubert, AIA, argues that federal stimulus dollars should be spent on creative, sustainable buildings that will stand the test of time.

Image courtesy Peter Schubert

Some suggestions on how to spend $800 billion
Michael Sorkin writes an open letter to President Obama outlining some of the things he feels should be part of the new administration’s agenda.

Photo © Michael Goodman

Bringing Good Design to Affordable Housing
John King discusses Bay Area architects who see their affordable housing work as part of a long tradition of progressive culture and urbanism.

Photo © Brian Rose

Some free advice to President-elect Obama
Critic Robert Campbell offers some free advice to the new administration. His recommendations for President-elect Obama cover everything from a more meaningful federal role for architects to gasoline taxes.

Photo © Nic Lehoux

Why do architects talk so much?
Critic Martin Filler discusses the role that talking about work plays in the architecture world, as well as noteworthy published collections of interviews and his experience interviewing celebrated designers—from British reactionary Quinlan Terry to Thom Mayne (pictured) to Philip Johnson.

Photo © Mark Hanauer/Corbis

Sol LeWitt: A Wall Drawing Retrospective
RECORD editor Josephine Minutillo visits a new semipermanent exhibition at MASS MoCA in North Adams, Massachusetts.

Photo © Kevin Kennefick

Bucky Lives!
Michael Sorkin examines the legacy of Buckminster Fuller.

Photo courtesy the Estate of R. Buckminster Fuller

11th International Architecture Exhibition of the Venice Biennale
RECORD editor, Beth Broome, explores the intangible at the 2008 Venice Biennale.

Photo © Antje Quiram

Sending the Wrong Message to the Rest of the World
Commentary: Robert Campbell takes a hard look at Moore Ruble Yudell’s new US embassy in Berlin and the way security concerns affected its design.

Photo © Werner Huthmacher

Rediscovering a Prefab Pioneer
Jeffrey Head examines the forgotten work of Konrad Wachsmann. The California designer created a largely forgotten system of prefabricated housing in the late 1940s.

Photo © Allen Penwick

When All Systems Seemed Go for Spaceship Earth
Martin Filler looks at a cluster of current exhibitions on mid-century modernists and figures out what it says about the vicissitudes of fame and the concerns of today’s architects.

Photo © Balthazar Korab

Abstract Incarnations of Place: Portraits by Amy Archer
Suzanne Stephens examines the work of photographer Amy Archer. The New-York artist creates large-scale montages of details drawn from landscapes and architecture.

Photo © Amy Archer

A Failure to Communicate Leads to Other Failures
Who’s to blame when a building designed by a famous architect has exterior walls that are rotting? Robert Campbell does some sleuthing to find out.

Photo © Paul Warchol

Plenty of Glitter, But Few Masterpieces in Zaragoza
David Cohn visits the 2008 Zaragoza Expo in northern Spain. Assessing the spectacle, he finds two projects by Spanish architects that stand out above an otherwise lackluster field of architecture.

Photo courtesy Zaragoza Expo 2008

Learning from the Hutong of Beijing and the Lilong of Shanghai
As China prepares for its Olympic coming-out party, Michael Sorkin examines historic neighborhoods in Beijing and Shanghai. He also charts the influence of 20th-century styles and contemporary projects on the country’s cityscapes.

Photo © Clifford Pearson

New museums: The good, the bad, and the horribly misguided
Last year marked both the 10th anniversary of Frank Gehry’s Guggenheim Museum Bilbao and the 30th of Renzo Piano and Richard Rogers’s Georges Pompidou Center—the two most influential cultural buildings of our time. The worldwide construction boom spurred by those watershed schemes continued unabated during 2007, which witnessed the completion of still more museums and additions.

Photo © Roland Halbe

Strolling through Tokyo’s hothouse of architectural wonders
The cherry blossoms were at their peak on a Thursday in late March when I went for a stroll in Ueno Park in Tokyo. A nimbus of white glowing pink with dramatic dark branches etched through it floated above the crowds strolling, photographing, and picnicking on blue tarps spread beneath the trees. What could be more Japanese than such civic reverence for this short-lived phenomenon in all its tender aesthetic frailty?

Photo © Christian Richters

Shedding new light on a pair of maligned projects
A few random field notes on Renzo Piano’s new Broad Contemporary Art Museum building at the Los Angeles County Museum of Art (LACMA) and Machado and Silvetti's Getty Villa.

Beyond Blubberland: In the land of the super plenty
The noun want used to mean need. Want was life or death stuff, as in “the baby wants feeding.” Now, want has flipped 180 degrees to imply an arbitrary and even whimsical desire, unfettered by need, significance, or logic.

Photo © Alex S. Maclean

Debunking a myth about museums that pay for themselves
It may not have been cause and effect, but the 10th anniversary of the Guggenheim Museum Bilbao late last year coincided with the opening of several new museums that seem intent on being everything Frank Gehry’s Basque bombshell is not.

Photo © David S. Allee

American Architecture Today
Six accomplished critics weigh in on the state of American architecture today. Read comments by Paul Goldberger of The New Yorker, Christopher Hawthorne of the Los Angeles Times, Blair Kamin of the Chicago Tribune, among others.

Image courtesy Gehry Partners

Making (too) big plans for Manhattan’s West Side
New York’s powerful deputy mayor for economic development, Dan Doctoroff, recently resigned, something that had been rumored for a time. Doctoroff, who came to the city from a master-of-the-universe career as a private equity dealer, has left—with scarcely a murmur of disapproval—to become head of Bloomberg L.P., the Mayor’s very own multibillion-dollar financial reporting company.

Image courtesy Steven Holl

Why Foster’s Hearst Tower is no gherkin
Now that it has been there for a year and I’ve had my chance to learn to love it, maybe it’s a good time to say why I dislike the Hearst Tower in Manhattan so much.

Legal loophole trumps good zoning in SoHo
The form of the city rises from the convergence of legislation, imagination, ambition, and resistance.

Experiencing architecture with seven senses, not one
Is architecture turning into a purely visual sport? Will it be just like video games, except that it won’t have all those crashing noises?

Artists tackle architecture and find new ways of looking at it
In the catalog for Antony Gormley’s recent exhibition, Blind Light, at the Hayward Gallery in London, the curator Jacky Klein cites Brancusi’s dictum that “architecture is inhabited sculpture.”

Big Brother hitches a ride with a congestion-pricing scheme
As part of his recently released plan for New York by the year 2030, entitled PLANYC: A Greener, Greater New York, Mayor Michael Blooomberg is actively promoting a scheme for congestion pricing in the busiest parts of Manhattan.

Going the extra mile to make mass transit more personal
For too long, too much of the discussion about urban mobility and its relationship to sustainability has been locked into an increasingly sterile debate between proponents of public transit and advocates of the automobile. Both sides ignore some inconvenient truths.

Calling a truce in the style wars over government buildings
"The development of an official style must be avoided. Design must flow from the architectural profession to the Government, and not vice versa.”

The words are those of Daniel Patrick Moynihan. They’re part of his famous Guiding Principles for Federal Architecture (1962), which helped inspire a revolution in government architecture.

Can an indigenous culture survive in a jungle petropolis?
Pink Floyd was playing on the loudspeaker of the ferry transporting us over the Rio Napo into the 2,700-square-mile Yasuni National Park in the Amazon basin in Ecuador’s El Oriente region.

Three years later: Does Gehry’s Stata Center really work?
When Frank Gehry’s Stata Center at MIT opened three years ago, it got a lot of press, especially for its novel appearance.

Does size matter when it comes to design offices and quality?
Once upon a time, Le Corbusier sat in his single-room office alone, pencil in hand, solemnly pondering an architectural problem, “face to face with himself, the wrestling of Jacob and the Angel within the human soul,” as he explained in volume eight of Oeuvres Complètes.