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Long Island City, N.Y.
Cooper, Robertson & Partners / Michael Maltzan Architecture,
Inc.

Photography © Christian Richters
A museum gains visibility as its home
evolves
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"MoMA
created a significant presence in an unlikely
location."
—Betsy Cohen
Architect
Cooper, Robertson & Partners www.cooperrobertson.com;
Michael Maltzan Architecture www.mmaltzan.com
(associate architect for lobby and roofscape)
Client
The Museum of Modern Art www.moma.org
Key
players
Turner Construction (construction management);
Lori Weatherly Interiors (interior design); Goldman
Copeland Associates (m/e/p); DeNardis Associates
(structural). See
more specs here.
Read
more
Project
Portfolio [August
2002]
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Program: In
the middle of an $858 million capital campaign, the Museum
of Modern Art needed to create a temporary space to house
the museum's collection that would maintain its identity and
membership loyalty while its permanent location closed for
renovation and expansion. The new building would serve as
a temporary exhibition space in a visually inventive way,
but be able to quickly convert back to its original program
as a site for museum support, preservation, and collections
storage.
Solution: The
design team transformed a former staple factory into a museum
facility with a highly visible public face. Movement became
a central theme for the design of the building, from the transformation
of the museum's recognizable logo seen from the New York City
subway to an elevated entry sequence to the ticket area, coat
check, and public restrooms, along which a visitor can view
the procession throughout the building. State-of-the-art conservation
labs, digital-imaging studios, archives, and storage facilities
reflect the institution's high ideals and will continue to
be used at this site after the museum returns to its permanent
home. The success of the project is easy to see. The large
number of visitors to the new galleries exceeded projected
estimates, the staff enjoys working in the new space, and
museum membership has remained steady despite the move.
For more images please see the November
2004 issue or Architectural Record.
Subscribe to Architectural
Record in print, or get Architectural
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