

The
group Six Hand Movements, playing homemade musical instruments.
Amy Everard plays the chimes with her group, The Mechanics (bottom
left), and Will Yokel poses with his elaborate wind instrument
(bottom right).

Photography
© Andrew Higley/University of Cincinnati
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Goethe famously described architecture as "frozen music."
A less canonized poet, Elvis Costello, said that writing about music
is like "dancing about architecture." But aside from esoteric
bons mots, the arts of architecture and music appear to have little
in common.
So leave it
to a university to finally figure out the relationship.
About 120 first-year
University of Cincinnati architecture and interior design students
worked in groups to design, build, and play musical instruments
constructed from discarded appliances and a few parts picked up
at local hardware stores. The students then had to perform original
compositions on their instruments. The concert, on January 22, played
to a packed house.
Marc Swackhamer,
an assistant professor of architecture, helped to organize the project,
along with the rest of the first-year studio professors.
"The idea
here is that students should stretch themselves beyond what they're
accustomed to or comfortable with," Swackhamer said.
Susan Strike,
a first-year architecture student, built a slide guitar, using a
discarded refrigerator shelf as a base. The strings of the guitar,
however, were purchased.
"We could
spend money on our project, as long as most of it was built from
trash," Strike said.
The appliance
parts used for these instruments came from an earlier first-year
studio project, the disassembly of appliances. The students used
the parts as models for drawing practice, but their reuse as instruments
also taught a lesson in resourcefulness.
"Our whole
first-year program is about creativity and using resources,"
Strike said.
The students
built the instruments on their own, but they were grouped together
into bands for the performance.
"We didn't
know who we would be playing with when we designed our instruments,"
Strike said, "so we couldn't pick a group of instruments
that would go together. We had to make it work."
The range of
instruments made for an eclectic mix onstage: PVC-pipe saxophones,
harps made from ovens, zithers, whistles, and an array of percussion
instruments.
The instruments
didn't always sound like their builders planned them to. Justin
Smith, a student, said that his copper-pipe wind instrument "makes
a sound more like a choo-choo train than music."
Despite the
unexpected, the concert went off well, and the students have moved
on to building something more overtly architectural: staircases.
But the lessons learned from the pairing of the seemingly unrelated
disciplines of architecture and music will stick with them, or at
least their professor hopes so.
"We can
learn a lot about design issues from everyday life, everyday objects,"
Swackhamer said. "We can learn the principles of design from
cuisine, art, a movie, a magazine, a building, and yes, from old
appliances."
By Kevin
Lerner
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