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The Firm | The Projects
Not many young
architects find a dream job and work on fabulous projects immediately
out of school. Lindy Roy worked in about 18 offices in her first
two years after graduating, in the 1990 recession, with an M.Arch
degree from Columbia University. It was hell, just absolute
hell. It was insane, says Roy, who recently started her own
small New York firm, ROY, and who has received some interesting
commissions.
Its
been more than 10 years since I graduated and only in the last two
years do I see the shape of what it is that Ive been pushing
for all along, Roy says. It really takes time and luck.
Roy
grew up in South Africa and earned a B.Arch from the University
of Cape Town. A fourth-year internship brought her to New York.
Id wanted to leave South Africa from when I was a teenager.
Growing up under Apartheid, I was never able to come to terms with
living there, says Roy. When I came to New York, I realized
this was exactly where I wanted to be.
Although she
was jumping around from office to office, Roy admits she had valuable,
invigorating experiences with a few of the first architects she
worked for, including Frank Israel in Los Angeles and Peter Eisenman
in New York. She was one of the first female project managers in
Eisenmans office. Working in Eisenmans office
for two years was an extraordinary experience because it was simultaneously
hair-raising and fabulous, Roy says.
Now with her
own firm with a couple of full-time employees in an office in Manhattans
meatpacking district, Roy is developing a portfolio of projects
ranging from a single-family house to a health spa to an arts center
installation and a nightclub. A constant in all her work is an exploration
of possibilities with various materials in new and expanded contexts.
That exploration
paid off in Roys competition-winning design for this years
MoMA/P.S.1 Young Architect program. Materials include fabric enclosures
and steel supports for hammocks in an installation called subWave,
on view through August 31 at P.S.1 Contemporary Art Center in Long
Island City, Queens, N.Y. With a metaphor of a weather map in plan
(see previous page), the installationcomplete with small pools,
spray misters, places to lounge, and a wall of fansis an environment
for the art centers summer festival.
One of her firms
first large commissions was a spa in the safari country of Botswana
(below). As with P.S.1, fabric enclosures were implemented to delineate
spaces while maintaining transparency. The spa project and
P.S.1 have similar strategies of introducing elements of luxury,
in spartan ways, in the environmentone being wild and one
being urban, Roy says.
Roy
is currently completing design work on a house for developer Coco
Brown [APRIL 2001, page 27] for his new Hamptons development, Sagaponac.
John
E. Czarnecki, Assoc. AIA
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